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I must admit, my Metroid Prime 4 review is a little later than expected. That’s not down to my feelings on the game, though; it’s actually more down to just wanting to soak myself in its atmosphere ...
While there aren’t many contenders up for this title, “Fallout,” the darkly hilarious adaptation of the popular video game series, remains the undisputed funniest and most pointedly absurd show about ...
Dalton Cooper is the Managing Editor of Game Rant. Dalton has been writing about video games professionally since 2011. Having written thousands of game reviews and articles over the course of his ...
June Squibb’s Broadway resumé reaches back to a stint in the original production of Gypsy in 1960. Photo by Joan Marcus Just imagine how many writers are drafting A.I. plays at this very moment: ...
Los Angeles – The Detroit Lions' 44-30 victory over the Dallas Cowboys on Dec. 4 averaged 19.39 million viewers, making it the most-watched “Thursday Night Football” broadcast in Amazon Prime Video's ...
Fans of Korean romcom series know a lot of the tropes: Two people who are seemingly incompatible and might even openly annoy each other at first eventually fall for each other, but something splits ...
NEW YORK — The central premise of “Marjorie Prime,” now on Broadway with Cynthia Nixon, June Squibb, Danny Burstein and Christopher Lowell, is that technology might allow the creation of bespoke ...
1 hour, 20 minutes, no intermission. Hayes Theater, 240 W. 44th St. From the moment June Squibb takes the stage at the Hayes Theater in “Marjorie Prime,” you feel lucky to be in her presence. The ...
“I’d like to be a machine, wouldn’t you?” That Andy Warhol quote kept running through my mind as I watched Jordan Harrison’s “Marjorie Prime,” which opened Monday at the Helen Hayes Theatre. When it ...
Performances in N.Y.C. Advertisement Supported by Critic’s Pick June Squibb stars in the Broadway premiere of Jordan Harrison’s meditation on grief and the nature of human and artificial intelligence.
Are we more than just our memories? It's a huge question, yet it only accounts for one of the many ideas being kicked around in Jordan Harrison's Pulitzer Prize-nominated play. A decade after its L.A.