The key to good pop songwriting is to make it obvious. Just say it like it is: “Beat It,” “Hey Jude,” “Purple Rain.” But some songs don’t have recognizable titles. Roger Daltrey and Pete Townshend don ...
A melody is catchy. It’s what we first remember about a song. Something in our psyches can pick up on notes and wedge them in our minds for decades to come. Titles, however, can be a little less ...
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