It’s not so often that the font of a movie’s opening credits is, itself, a provocation. But in Luca Guadagnino ’s muddled but darkly absorbing “After the Hunt,” the white Windsor Light Condensed ...
It’s not so often that the font of a movie’s opening credits is, itself, a provocation. But in Luca Guadagnino ’s muddled but darkly absorbing “After the Hunt,” the white Windsor Light Condensed ...
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